Aunt Emma
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A style of
playing involving making one hoop per break, and then returning to partner.
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Back to mother
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See Return
to Partner
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Bassett Slice
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A method of
making a close, angled hoop. The shot is
played flat, but with the swing played at an angle to the aim line. The object is to avoid a double tap. Named after Ian Bassett of
Victoria.
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Come back to me
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An
invitation to return to partner
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Daniels Roll
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“This is
where you play a long roll up to your pioneer, and end up wired from it.” Per
Chris Daniels
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Death roll
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A croquet shot from just north of penultimate. The croqueted ball is peeled through
penultimate, while the striker’s ball gets onto a reception ball at 2
back.
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Flat sweep
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A shot played with the shaft parallel to the ground, the
whole shaft being moved perpendicularly; see Groovy Shots
page
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Full roll
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A roll in which the striker’s ball goes as far as the
croqueted ball.
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Go wide
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An invitation to loose join
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Hogan Roll
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A roll out of corner IV, sending croqueted ball to hoop 3 and
getting on to a pioneer at hoop 2. Named
after Joe Hogan of New Zealand.
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HoRo
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See Hogan Roll
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Jump shot
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A shot in which the striker’s ball leaves the ground. Usually, it is achieved by striking down at
an angle, so that the ball bounces out of the lawn.
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Jump slice
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A jump shot in which the mallet is swept sideways across the
aim line: see Groovy Shots page.
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Lift shot
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A shot taken by a player after his opponent has given a
lift. Almost always, all the player
wants to do is to roquet a ball; he is not interested in a rush. In a high quality game, hitting the lift shot
will be just about the only opportunity a player will get to hit anything once
all 4 balls are in play.
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Loose join
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An anti-Aunt Emma tactic. Instead of taking a long shot at his partner
or an opponent ball, the striker puts his ball some moderate distance (say 10
yards) away from his partner ball (typically along a boundary). Aunt Emma does not then know if you are far
enough way for her to be safe, and if she comes to one of your balls, she will
have difficulty getting a rush behind the other.
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Murphy
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Also know as a Mulligan in
America. The retaking of a shot. It is not the same as a bisque, which is
another turn from where the balls lie: in a Murphy the balls are
replaced.
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Pass roll
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A roll in which the striker’s ball travels further than the
croqueted ball. Hard to do with a light
mallet.
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Return to partner
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The technique of completing a break by placing the player’s
ball near its partner, with the opponent’s ball well separated from there and
each other.
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Stalking
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The technique of walking up to a ball from behind, as an aid
to aiming. Many commentators recommend
it. Some people creep up behind the ball
with bent knees, as if trying to catch it by surprise. This looks silly, and probably doesn’t
help.
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Super pass roll
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A roll out
of corner IV, loading hoop 3 and getting a rush on the pioneer at 2 ½ yards in
from the 2nd hoop. Per Ray Howell: “We
play it usually side style with a short backswing and a good follow thru.
Occasionally on fast lawns the ball sent to 3 will go out if too much back swing
is used; the shot is more of a slow motion shot accelerating slightly thru the
balls and being careful not to double tap or push. Simon Hockey is a great
exponent of this shot to enable a standard triple over a delayed. Watch him at
the worlds as he does it frequently.”
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Tea lady
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A leave, sometimes used when a lift has not been given. The opponents balls are wired across hoop 1,
and the player’s ball are left close to each other north-east of hoop
2.
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Trundling
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Moving a ball in hand around the court by dragging it
along the ground with the side of the mallet head. Formerly
fashionable, out of the same style box as using an old tie as a belt.
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Von Schmieder Sweep
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A shot played with the shaft parallel to the ground, the top
of the shaft being kept still; see Groovy Shots
page
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WiXy roll
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A roll out
of corner IV sending the croqueted ball to 3-ish and the striker’s ball to a
hoop 2 pioneer at the peg. “I will be trying to perfect it, it saves me having
to do those horrid delayed triples, but of course I might break down at 2. But
my thinking is that if I get to 4-back and peg, failing a delayed triple then
oppo ALWAYS hits the lift. So am willing to take the chance.” Per Jack Wixy
Wicks
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